![]() ![]() ![]() ![]() It depends on the complexity and rarity of the curve. Like "oh this is what I want the delay CV to be" and "oh I want to adapt the delay LFO to my filter cutoff" and so on in this fashion building an insane library of customized subpatches. For example, even with the control Maths/DUSG offers, I usually want to offset or attenuate and I end up changing the curve/times by ear, but in the computer I feel like it would be easier to make subpatches like you're describing specifically for known parameters. Surprising to me because I would think maybe LFO control would be nicer with a computer! (I only use slew based designs in modular because I think they're easier to work with). (Using a computer to generate a simple ramp voltage is a waste of CV bandwidth.) If you decide to support my work, you will have unlimited access to MMMT content and new video tutorials and Max patches uploaded every week.It includes more LFOs and envelope generators than I had originally planned because Max has no advantage to add there. Therefore, the series is exclusive to patrons only. In MMMT you will find more than 33 hours of video tutorials about Max/MSP/Jitter programming, gen, gen~, jit.gl.pix, GLSL, Javascript, Max4Live, sound design, algorithmic composition, procedural audio and video, workflow strategies, and much more!Ĭreating informative and well-organized content takes time and effort, and it would not be feasible without your help. These tutorials cover both the audio side (MSP) and the video side (Jitter) of Max. MMM T, a Max tutorial series on creative programming for audiovisual art. I decided to give back the knowledge I acquired during these years and to share my programming skills, which hopefully will help you push your artistic productions to the next level. I was fortunate enough to learn Max programming from amazing teachers, who shed light on the 'abyss' that Max and multimedia programming as a whole may become if approached without a proper guide. I have been using Max for a decade and it has become an essential tool in my creative workflow. ![]() My artistic activities include film scoring, multimedia installations, commercials, and a/v performances. My name is Matteo Marson, I'm a composer, multimedia artist, sound designer, audio/video programmer, teacher, and researcher in the field of sound synthesis. Hello fellow Maxers and welcome to my Patreon page! ![]()
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